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It worked for me: key stage 3 cameos
Contents | Over the top:
using cross-curricular links to teach the First World War 
If it’s so important, why haven’t we done
it before?
So complained the pupils at four very different Nottinghamshire schools
when confronted with the history of Ireland in the Modern World Study
(part of their GCSE History [SHP]) for the first time.
Their history teachers[1] responded by
radically reappraising the way they thought about the course and trying
to make it more enjoyable and meaningful for the pupils.
Identifying problems
The teachers conducted a questionnaire, which tested pupils’
knowledge and understanding of conflict in Ireland. Three points of
major concern emerged from the questionnaire.
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Pupils felt overloaded – they felt they had to address the
whole of the history of Ireland and Anglo-Irish relations.
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Pupils had an uncertain grasp of basic facts and were confused
about the multiplicity of political and paramilitary organisations.
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Pupils had little sympathy for and understanding of the nature
of conflict in Northern Ireland.
Devising and implementing a pathway
The teachers set about devising a pathway, through key stage 3 history,
which highlighted the turning points in the history of Ireland and Anglo-Irish
relations. Their guiding principles were to:
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address the requirements of the national curriculum and proceed
by enquiry
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emphasise the dynamics of Irish history and Anglo-Irish relations,
underlining the cultural differences and the shifting balance of power
between Britain and Ireland
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use a wide range of sources, including visual materials and historical
novels.
They found it surprisingly easy to adjust the curriculum to make room
for the pathway and had access to the expertise and resources of Ireland
in Schools (liS)[2]. Their pathway addressed
the following key questions.
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In year 7, ‘How complete was the Norman Conquest of Ireland?’
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In year 8, ‘Was the United Kingdom made or forced (looking
particularly at the period 1500 to 1800)?’
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In year 9, ‘How united was the United Kingdom (as illustrated
by the Irish Famine and events of 1916 [the Easter Rising and the
Battle of the Somme])?’
Drawing on resources
The teachers developed the pupils’ historical skills and imagination
using a range of resources, including those described below.
The teachers adapted a unit of work originally designed by Paul Bracey,
Senior Lecturer in Education (History) at University College, Northampton,
and Alison Gove-Humphries, a Teacher Adviser with the Birmingham Advisory
and Support Service. The unit on 1916 shows how thinking skills can
be developed through history, literacy and citizenship.
Comprising a student workbook and notes for teachers, the unit poses
the question ‘Fighting for whom?’ and considers why some
Irish men and women fought against the British army, and appealed for
German aid, while others joined the British army to fight against Germany.
The unit draws not only on recent historical writings about the First
World War years in Ireland but also draws on two historical novels that
tell the experience of 1916 through the eyes of two young people, Jimmy
Conway and Amelia Pim, from very different backgrounds.
Jimmy
Conway (The Guns of Easter by Gerard Whelan) is a Catholic
living in the Dublin slums. With his father away in France with the
British Army, and his uncle, Mick, taking part in the Rising, Jimmy
feels he must be the provider for his mother and two younger sisters.
Setting out to find food or money, he finds himself adrift in a nightmare
version of the world he had known.
Amelia
Pim (No Peace for Amelia by Siobhán Parkinson) lives
in a Quaker family in a well-off district of Dublin. Amelia’s
boyfriend is Frederick Goodbody, while one of her best friends is a
Catholic, Mary-Ann, the family’s cook-general. Frederick, though
a Quaker, volunteers to join the British army and is killed, whereas
Mary-Ann’s elder brother, Patrick, is a member of the Irish Volunteers
and takes part in the Easter Rising to gain Irish independence from
Britain.
An examination of loyalist and republican murals helped pupils to understand
and remember the main sources of difference in Northern Ireland. A simple
grid, asking pupils to identify murals through use of colour, images/symbols,
historical references, personality and language, focused their minds
and prompted much imaginative artwork.

Right, a pupil’s version of a loyalist mural; left,
a real mural that can cause confusion, ie is it loyalist or republican?
To develop imaginative insights into the problems of living
in a divided society, the teachers used music and the ‘poetry
of the troubles’. One of the most telling poems, Enemy Encounter
by Padraic Fiacc, depicts an Irishman coming across a British soldier.
The chilling last stanza reads:
'I say something bland to make him grin,
But his glass eyes look past my side
–whiskers down
the Shore Road Street,
I am an Irishman
and he is afraid
that I have come to kill him.'
Even more effective was bringing into schools young people who have
lived through conflict in Northern Ireland. The experience of one student
teacher made a particular impact. It was the first time this young woman
had spoken about this experience outside her family.
In 1991 the IRA placed a 1,000lb bomb in a van outside a police station
in a predominantly Protestant village. Many buildings were evacuated,
but not a house belonging to one of a handful of Catholic families in
the village. Luckily, the 13-year-old girl and her three sisters escaped
with only cuts and bruises as the blast almost destroyed the house.
Building on success
For the teachers, the reappraisal became an enjoyable and stimulating
experience. This was not only due to the regular meetings in school
hours, where problems and possible solutions could be aired, but also
due to the support of the School of Education, University of Nottingham,
and particularly, a tutor, Anita Linden, the Head of School, Ken Adey,
and IiS.
They have now expanded to take in other schools and subjects and are
building on their success in two ways. First, they are revising their
materials in light of the key stage 3 strategy. Secondly, they are hoping
to reinforce the learning experiences of the pupils by collaborating
with other subjects, particularly English.
According to the teachers:
‘For us, this collaboration is proving a particularly helpful
and cost-effective form of INSET. No money changes hands and it is
driven by our own needs and our pupils’ needs. It offers practical
solutions and rich resources – if we can’t come up with
answers we have the School of Education and Ireland in Schools to
draw upon.
‘A measure of the effectiveness of the cooperation, and the
importance our schools attach to it for training and professional
development, is the readiness with which our headteachers release
us from school to attend meetings at the School of Education.’
- Peter Ford (Head of History, South Wolds School, Keyworth),
Marcella Gillespie (formerly Head of History, Christ the King School,
Arnold, now Head of Humanities, The Nottingham Emmanuel School, Nottingham),
Denzil Moran (Head of History, The Brunts School, Mansfield), and Alex
Wollard (formerly Head of History, Tuxford School, Tuxford).
- Ireland in Schools is a voluntary national organisation
dedicated to making the study of Ireland a part of the curriculum in
schools in Britain. For further details, please contact Professor Patrick
Buckland, Chairman, 19 Woodlands Road, Liverpool L17 0AJ. Tel: 0151
727 6817. Email: kha200@aol.com.
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